Free PDF Cast of Characters: Wolcott Gibbs, E. B. White, James Thurber, and the Golden Age of the New Yorker
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Cast of Characters: Wolcott Gibbs, E. B. White, James Thurber, and the Golden Age of the New Yorker
Free PDF Cast of Characters: Wolcott Gibbs, E. B. White, James Thurber, and the Golden Age of the New Yorker
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Review
“Exuberant…elegantly conjures an evocative group dynamic.†- Sam Roberts, New York Times“Swift and enjoyable reading.†- Pamela Erens, The New York Times Book Review“Vinciguerra is an artful stage manager of his material; at times, one has a stirring sense of eavesdropping on intimate, literate, testy conversations. As a writer, he has a knack for understatement, an eye for the odd and telling fact….his writing would not be out of place in a New Yorker issue of, say, 1938. I hasten to add that that is a high compliment.†- Ben Yagoda, Wall Street Journal“Fresh and invigorating…it’s to Vinciguerra’s great credit that he manages to avoid both condescension and hagiography in writing about the flawed, brilliant people behind it.†- Kate Tuttle, Boston Globe“Captures the eccentricities and idiosyncrasies of its editors and writers…will be embraced be faithful New Yorker readers.†- Publishers Weekly“Vinciguerra’s writing has a way of bringing these characters to sparkling life…. New Yorker readers are a dedicated lot and will snap this ‘golden age’ volume up.†- Booklist“Irresistible…a banquet of information about the good writing and bad manners of the eccentric crew who made a myth both of themselves and of the journal they made famous. Vinciguerra writes a sharp, crisp sentence, and tells his story with brio.†- John Lahr, author of Tennessee Williams: Mad Pilgrimage of the Flesh“Reading Thomas Vinciguerra’s Cast of Characters is like being at a tantalizing gossip session about the star writers and supporting players of The New Yorker in its formative years. The book is entertaining, often surprising, and deeply interesting. Vinciguerra is an avid chronicler and a fair one.†- Mary Norris, New York Times best-selling author of Between You and Me“To lovers of The New Yorker, Tom Vinciguerra’s marvelous Cast of Characters is a must-have. It’s as close as you’ll ever get to going behind the scenes with Wolcott Gibbs, James Thurber, E. B. and Katharine White, and their colleagues as they helped Harold Ross create this influential publication. Gibbs’s role in particular is a revelation.†- Thomas Kunkel, author of Man in Profile: Joseph Mitchell of The New Yorker“Too many of the books about the Algonquin Round Table and The New Yorker magazine are little more than laundry lists of well-worn anecdotes. Thomas Vinciguerra gives us substance along with the bon mots and, in so doing, evokes the bright, brilliant, long-ago Manhattan that all newcomers have dreamed of finding.†- Tim Page, author of Dawn Powell: A Biography and winner of the Pulitzer Prize for Criticism
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About the Author
Thomas Vinciguerra is a founding editor of The Week magazine and a regular contributor to the New York Times. He is the editor of Conversations with Elie Wiesel and Backward Ran Sentences: The Best of Wolcott Gibbs from The New Yorker. He lives on Long Island.
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Product details
Hardcover: 464 pages
Publisher: W. W. Norton & Company; 1 edition (November 9, 2015)
Language: English
ISBN-10: 0393240037
ISBN-13: 978-0393240030
Product Dimensions:
6.5 x 1.5 x 9.6 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
51 customer reviews
Amazon Best Sellers Rank:
#82,835 in Books (See Top 100 in Books)
As a lover of New York and the New Yorker magazine, and more importantly a lover of words and language, I found this book fascinating. The author uses the best of his characters' language play and plays with language himself quite a bit to tell their stories. I learned a lot about the place in history of the people who started the magazine I admire. I don't read a lot of non-fiction, but I found this book compelling. Highly recommended.
As I read Thomas Vinciguerra's masterful recounting of the New Yorker's golden ages, I kept thinking how difficult it must have been not only to organize and compile the wealth of material that exists about the literary giants whose lives and works are so deftly portrayed, but to tell their story in a simple, elegant, and compelling way that E.B. ("Andy") White would have demanded. The very act of writing about the lives and works of White, Gibbs, Ross, and Thurber implicitly requires the author to live up to the high literary standards to which they all held themselves - and countless would-be New Yorker contributors. Fortunately, Mr. Vinciguerra lives up to that standard, giving us an eloquent, eminently readable, and swiftly moving account of the lives, loves, and works of those men, and other colorful characters such as Charles Addams, who made the New Yorker what it is today. It reminded me of A. Scott Berg's wonderful Max Perkins: Editor of Genius, one of my favorite biographies. Whether you are already a fan of literary history, or simply curious about how the New Yorker came to be, you will thoroughly enjoy this terrific history.
This book is an absolute gem—a delight to read, and re-read. A bit of background: I am eighty-seven, my parents read the New Yorker, and as a boy I enjoyed the drawings, some end-of-column witticisms, and an occasional article. As a young man, in the military, later in college, graduate school, it was a household presence.Now, it must be said that the magazine today is far different from the one I knew earlier. Earlier, it was famous for a literate, clever wit. Today, wit has almost disappeared from our society and thus this magazine. The beauty of this book is to recapture that earlier wit, and explain its origins and uses. For that alone, it is valuable. Beyond that, you encounter, or re-encounter those individuals who made the magazine so lively—Benchly, White, Thurber, on and on.So, if you seek, or miss, that sense of a lively, witty past, this is the book to read.
The New Yorker continues to be a serious, and seriously humorous, magazine with erudite reporting and fiction. But its humor and drama weren't only within its pages. Thomas Vinciguerra's "Cast of Characters" takes us into the offices, living rooms, and vacation cottages of some of the magazine's greatest editors and writers whose off-stage lives were often at least as dramatic as the content on the page.I bought this book for my mother (but read it before sending it to her), remembering how she had often recounted James Thurber stories to us when we were young. One in particular story has stuck with me; it was about James Thurber's aunt's paranoia about empty light bulb sockets, believing that they "leaked" electricity if not absorbed by a bulb. Many years later, we learned that empty sockets do, indeed, draw energy, and devices needed to be unplugged while not in use for the same reason.A New Yorker reader since the mid-1940s, my mother said that "Cast of Characters" brought back some of her fondest memories from when she first discovered its pages' great writers. That's a testament to Vinciguerra's incredible research and reporting, which brought these old characters to life.
Anyone interested in literature and literacy needs to read this outstanding history of the brilliant and lunatic characters responsible for creating the first true "modern" American magazine, The New Yorker. Author Thomas Vinciguerra does a masterful job in capturing the mad world of Wolcott Gibbs, E.B. White, and founder/editor Harold Ross, along with an agglomeration of the Twentieth Century's most talented American essayists, cartoonists and fiction writers. They were gifted artists, but they were also 14 hour a day workaholics, which probably accounts for the fact that they were often mean-spirited drunks as well -- Raymond Chandler characterized their cynicism as "undergraduate sarcasm." Cast of Characters is essential reading for anyone dabbling in essay form; Vinciguerra, a graduate of Columbia's School of Journalism, has a great understanding of the reporter's craft, and gives a fascinating and detailed account of the writing and editing rules that came down from 20 West Forty-third Street (the use of "43rd," instead of Forty-third, for example, was forbidden), many of which remain firmly in place within the American lexicon, and were later codified by White in his now standard English language grammar and syntax guide, The Elements of Style. Vincigeurra's own clean, snappy prose conjures up images of chain-smoking, gum-cracking wisenheimers who never let up on their work, or each other. The rivalry between Time magnate Henry Luce and Ross makes for great drama and comedy, and the magazine's exposé of Walter Winchell provides a lesson in the perils of hubris. If only we had journalists like Gibbs and fact checkers like the indefatigable Freddie Packard working the field and holding down the fort today, government officials might actually be scrutinized when they contradict themselves every hour on the hour. Vinciguerra does an exceptional job in creating the mood and setting of the times, evoking a Central Park moon reflecting off a silver cigarette case during the halcyon days of the 20's and 30's and then shifting the tone when all joys are shattered by war and the H-Bomb. Writers, linguists, historians, and anyone who appreciates a superbly told story of a revolutionary period in American literature must own this encyclopedic work.
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